Jam resumes in 2022 on Friday nights from 8:00pm - 12:00am.

JAM RESUMES IN 2022 ON FRIDAYS 8:00pm-12:00am. PLEASE COME EARLY AND BRING YOUR INSTRUMENTS. AMPS AND DRUMS ARE PROVIDED.

Ken Cohen RIP

Ken Cohen RIP

Miche Love

Miche Love

Sonny Wolf

Sonny Wolf

Sean 'Cat' Elliott Band

Sean 'Cat' Elliott Band

Lil' Bubba

Lil' Bubba

Eric and Denys

Eric and Denys

JGBP

JGBP

duelling harmonicas

duelling harmonicas

Derek Falls

Derek Falls

Pat

Pat

Steve grooving

Steve grooving

Lil' Bubba, Steve, Pierre

Lil' Bubba, Steve, Pierre

Derek and jammers

Derek and jammers

L'il Bubba and Pierre

L'il Bubba and Pierre

Hugo

Hugo

Darcy

Darcy

Pierre and Guy

Pierre and Guy

Robert

Robert

Magic Dan

Magic Dan

Deacon George

Deacon George

Guy

Guy

John

John

Nick Rahal

Nick Rahal

Sonny and Drey

Sonny and Drey

Lewis

Lewis

Denis and Drey

Denis and Drey

happy bassman

happy bassman

Pat with jam band

Pat with jam band

Leslie and friends - thanks to Leslie our official photographer

Leslie and friends - thanks to Leslie our official photographer

Kenny Dupree

Kenny Dupree

JGBP

JGBP

Rich

Rich

Phil

Phil

Andre

Andre

Derek

Derek

Gerry

Gerry

Lil' Bubba

Lil' Bubba

Pierre and John

Pierre and John

Ross

Ross

Rich

Rich

Pierre and Steve

Pierre and Steve

Jo Hell

Jo Hell

Victor bar man

Victor bar man

Jo Hell

Jo Hell

Paul Arthur and Rich James

Paul Arthur and Rich James

Pat and Texas Two

Pat and Texas Two

In memory of George Groove, one of our best loved friends and performers.

In memory of George Groove, one of our best loved friends and performers.

Drey

Drey

Duelling harmonicas

Duelling harmonicas

Paul

Paul

Lowdown Lewis

Lowdown Lewis

Pat and the Texas Two

Pat and the Texas Two

Lil' Bubba

Lil' Bubba

STATS - STATS - STATS ! ! !


For anyone who is interested in statistics, Maison du Blues blog has received 52,623 hits since its inception in June 2010.

Roughly 70% of page views came from Canada, 20% from the U.S., and 10% from China, Germany, France and Britain, as well as hits from various other places around the world.

Every month, our blog is looked at by people mainly from Canada, followed by the U.S. and Germany.
In July 2016, our blues community blog received a record 911 hits.


















enjoying the jam

enjoying the jam

Pat le Bassman

Pat le Bassman

John and George Groove

John and George Groove

Pierre the "boss man"

Pierre the "boss man"

Happy jammers

Happy jammers

Phil

Phil

Pete

Pete

Drey in to it !!

Drey in to it !!

Derek Falls

Derek Falls

Sonny Wolf

Sonny Wolf

Robert

Robert

George and Drey

George and Drey

Robert

Robert

Leo

Leo

Gerry

Gerry

Hugo

Hugo

Guy "bass cat"

Guy "bass cat"

Pierre

Pierre

John Gordon Blues Project

John Gordon Blues Project

Jules

Jules

jam band

jam band

Dance workout 1 (thanks to Dan Geneau for photo)

Dance workout 1 (thanks to Dan Geneau for photo)

Dance workout 2 (thanks to Dan Geneau for photo)

Dance workout 2 (thanks to Dan Geneau for photo)

Phil

Phil

Jules and Paul

Jules and Paul

Phil and John

Phil and John

Jean-Marc

Jean-Marc

Jean-marc Interview - thanks to Leslie

1. Name, place of birth, where living now?

I was born in Montréal (Outremont Stuart & Van Horne) Now I live in Laval

2. When and how did you first get involved with music?

I have enjoyed music for as long as I remember. I listened to my parents’ jazz album, a mix of swing tunes over and over - fascinated by the drums

3. Which instruments do you play?

Mainly drums and guitar and lately harmonicas (a work in progress)

4. Describe your first instrument.

My father gave me a guitar for Xmas when I was twelve. It was right handed one. I’m a lefty - the teacher didn’t believe in left-handed people so that was the end of that.

5. How did you get interested in these instruments?

At the age of 14 my dad bought me my first drum kit - no cymbals. At school a friend sold me a high hat and a very low-end ride. That was enough to get me started.

6. Is your family musical?

Only listeners. My mother listened to Gilbert Bécaud, Dean Martin... My sister was more into rock n roll. Mostly they would listen to the radio and Ed Sullivan on TV.

7. What are your fondest musical memories?

In 1967 my parents took me to the universal expo at Ile Ste-Hélêne at the Bavarian beer garden and I played a song on the drums with the band - never having played on a drum set before.

8. What was the first tune you learned?

“If I Had a Hammer”.

9. Who was your first teacher?

When I was twelve I joined a group of youngsters called L'Harmonie de Terrebonne and played the snare drum. The teacher was Mr. Jean-Paul Cadieux, who taught all instruments (horns and percussion). At school I got some lessons from guys who played in a band.

10. What are your influences in the Blues?

The shuffle is my favourite of all rhythms.

11. Which famous musicians do you admire and why?

Anybody who will go to any length to learn how to play.

12. Are there local musicians that you like, that you would recommend to go and see play?

Lately I've been enjoying jam nights around town - very friendly people. Turn off that TV or PC and get out there - it's live 'n' kickin’ out there...haha !!!

13. What makes a player unique?

Listening to many different styles and being able learn and play back that stuff - even if it's hard.

14. Which famous musicians have you learned from?

The very first album I listened to was Buddy Rich – also Gene Krupa playing Bernie's tune.

15. Do you have a favourite song, record or CD that has influenced you?

I listen to so much stuff...okay - John Bonham - ''Moby Dick''.

Thanks Jean-Marc.

It was a pleasure.


John (thanks to Dan Geneau for photo)

John (thanks to Dan Geneau for photo)

Pete Webb interview - thanks to Leslie

1. Name, place of birth, where living now:

Pete Webb, born in Sherbrooke, QC; currently living in Sherbrooke, QC

2. When and how did you first get involved in music?

I started playing guitar in my teens after my parents bought me an acoustic guitar for Christmas. When we moved to Stratford, Ontario in the 1980s, I had been playing about a year when a couple of kids I met in a music store asked me to play rhythm guitar in their heavy metal band. I wasn’t very good and they kicked me out after a couple of months, but it got me started.

3. What instruments do you play?

Guitar and a bit of bass and harmonica. I’m also a lead singer.

4. Describe your first instrument. Other instruments.

I’m primarily an electric guitarist, rock and blues; mainly self-taught. I’ve sung for a long time and had formal vocal training in the early 1990s. Bass and harmonica are just instruments I’ve picked up along the way.

5. How did you get interested in these instruments?

My parents were from England and brought all the original Beatles albums with them to Canada. I grew up hearing these and pretty much idolized the Beatles, especially George Harrison. My Dad had a friend, Dave Gordon, who played guitar and loved Eric Clapton. When I was twelve, Dave gave me a few guitar lessons and took me to one of his band rehearsals at the hotel in Waterville, Quebec. Seeing a band play live for the first time got me hooked.

6. Is your family musical?

My immediate family was not musical in the sense of being musicans. But they were all huge music listeners.

7. Family members’ musical interests….

My Mum loved The Beatles, Jose Feliciano, and Glen Campbell. My Dad liked a lot of jazz and R&B, including Dave Brubeck, Isaac Hayes and Dionne Warwick. My three older sisters were into seventies rock such as Led Zeppelin, The Eagles, and Rod Stewart. The whole family also listened to classical music. So there was a lot of music around the house.

8. What are your fondest musical memories?

My parents playing records at home when I was a kid, on our quadraphonic home stereo that was state of the art at the time.

A later experience: In the early-1990s, I spent several months living and playing in Germany. On a short tour of the former East Germany, I was booked to play in a large church in a small town called Plau-am-Sea. This was very soon after the fall of the Iron Curtain and well outside the cultural centre of Berlin. There was a good deal of anticipation of having a “Western” musican come to play in Plau. The church was packed that night. It was just me and an acoustic guitar and a small P.A. After my regular set of original songs, the audience wanted more. So, starting with Elvis and Buddy Holly and moving my way forward, I played the people of Plau the history of rock ‘n roll – the first time most of these East Germans would have ever heard such a thing performed live.

9. First tune learned.

I don’t remember the actual first tune, but within my first six months or so of playing I learned things like “Hotel California” and “Smoke on the Water.”

10. Who was your first teacher? Any other teachers?

Mr. Lacroix, at the Honolulu music store in Sherbrooke, gave me several lessons, but I quit before long and was mostly self-taught after that. Much later, in Ontario, I did take voice lessons with a former professional opera singer for two years.

11. What are your influences in the blues?

My favourite blues songs are probably those of Robert Johnson. From a guitarist’s point of view, Robben Ford, Duane Allman, and Rory Gallagher are among my favourites. Among vocalists, Sam Cooke, Marvin Gaye, and Van Morrison are tops.

12. Which famous musicians do you admire and why?

Robben Ford: Consummate musicianship, yet his music is always accessible and in spite of amazing guitar chops he always puts the song first/ rarely overplays. Plus, he seems like a modest and down to earth person in interviews.

Stevie Wonder: Probably the world’s greatest living all-around talent. Blind since birth, he became one of the world’s greatest singers, songwriters, and multi-instrumentalists. A true genius in my opinion.

Paul McCartney: He could have rested on his laurels decades ago and remained a legend – yet he keeps on touring and making new music, and always seems to play with enjoyment and integrity. He keeps aging but never seems “old” – and as I age myself, I find that inspiring.

13. Local musicans I like and would recommend…

Paul Arthur immediately springs to mind. I’ve known Paul about three years, have played with him on several occasions. He seems to epitomize the blues, and younger players can learn a lot from watching his commitment to the music and performing.

Ria Reece, Blues Z, Louis Janelle, George Papafylis – other local musicians people should go and see.

14. What makes a player unique?

Not worrying too much about current trends, but sticking to what feels natural. Not overtly copying other artists – turning musical tips into your own bag of tricks. Paying attention to groove and melody, not just showing off fast chops or technique for its own sake.

15. Which famous musicians have you learned from?

Warren Haynes: He has a book + CD course on slide guitar that taught me a lot about slide guitar technique.

BB King: I’ve spent many hours working through BB solos note for note, learning how economy of playing style can benefit one much more than pure speed or showing off.

16. Favourite songs, records, etc…

Among blues albums, some favourites are:

- Albert King, Born Under a Bad Sign

- Skip James, Devil Got My Woman

- Robert Johnson, King of the Delta Blues Singers

- Robben Ford, Bringing It Back Home

- Muddy Waters, Hard Again

- Allman Brothers, Live at Fillmore East

17. How would you describe the type of sound you have or would like to achieve?

I try to play fairly clean and economically, without a lot of effects pedals and so on. I’m not a flashy, over-the-top type of player. I try to play what is best for the song. I have a few guitars (Fenders, a Gibson, a Guild, etc.) that help me achieve different tones without any fancy tricks. I guess one trademark is I play a fair amount of slide guitar – so that’s one sound particular to my style.

18. Competitions and prizes.

I avoid competitions of any kind. I dislike being “competitive” in music.

19. What groups have you played with/ do you play with?

I currently play in several different bands: I’m the singer-guitarist in two blues bands, the Pete Webb Trio (based in Montreal) and the Sherby Blues Project (based in Sherbrooke). I’m the lead guitarist in an original rock band called The Fleming Sweep, based in Sherbrooke. I do a fair amount of “on call” stuff, where I play shows with anyone who needs a guitarist or singer on fairly short notice. Styles range from blues to rock to country, and I can play guitar, bass, and sing – so I’m pretty versatile.

20. Do you prefer the studio or live?

I used to do a lot of studio work back in the 1990s. I was even trained as a recording engineer at college back in the late 80s. But I much prefer the live experience to working in the studio.

21. What is your ideal gig (large or small venue)?

I’ve only played on really large stages a few times, and generally didn’t like it. I much prefer a mid-sized club with a receptive audience who is there to hear the music. Some of the best shows I’ve played over the past few years have been organized concerts in club venues for audiences of around 60-100 people, where the audience is attuned to the type of show and prepared to enjoy themselves.

22. Do you get nervous before a show?

Very rarely, actually. I’m a teacher in my daytime profession and have performed music for around 30 years, so being in front of an audience is pretty natural for me.

23. Is it more nerve-wracking to play in front of friends, other musicans, or a regular crowd?

As above, “nerve-wracking” is not something I experience very often. I’ve only had negative experiences when the gig involves playing for people who don’t care about the music – like at a couple of corporate events I’ve done in the last few months.

24. How do you handle mistakes in a performance?

Mistakes happen in nearly every performance. The main trick is not to react physically – most of the audience won’t notice. If it’s really noticeable, laugh it off or joke about it. Everyone’s human and none of this stuff is life or death.

25. How often and how long do you practice?

During “at home” time, it is probably an average of two hours per day. Although because of the number of projects I’m in, I’m at 3-hour band practices two or three nights a week.

26. What do you practice?

I mostly just practice songs and work out different ideas for soloing. From time to time, I’ll learn a particular solo or series of licks from a recording… something that pushes me to the limits of my ability so that I learn something new. I practice scales and finger exercises sometimes to keep my improvisational skills up to par.

27. Is playing a job, sheer pleasure, or both?

Sheer pleasure.

28. What is your next project?

I’d like to start a rhythm and blues band to play classic Motown/ Soul/ R&B. I love that type of music but have only dabbled in it over the years. I know a few musicians I may call upon to get such a project going.

29. What do you think of jam sessions, and how often do you attend them?

In general, jams are a great way to meet new musicians and make friends. A lot of my current musical activities and connections stem from people I met at jams. Because I’m quite busy gigging and keeping up a full-time teaching career, I rarely attend jams unless I am hired to host. Though I do enjoy it when I get the chance.

30. What makes a good jam session? Likes or dislikes?

If people listen to each other, play to the song instead of their ego, and don’t show off or try to upstage others, it’s a good jam. Unfortunately, many times people don’t adhere to these simple principles. There are regular jams I avoid/ have avoided in the past, simply because I can’t stand the attitudes to be found there.

31. What advice would you give to an aspiring player?

Don’t be a musical snob. Listen to all styles and types of artists and learn what you can from each of them. Don’t obsess over gear/ not owning the “right” guitar or amp, etc. Don’t let your ego get the better of you. Be gracious and personable: if people don’t like you they won’t want to work with you. At the same time, you are not obligated to take crap from anyone. Stand up for yourself if the going gets rough.

32. Do you teach or have ever taught music?

I’m a college and university professor by profession. I’ve taught several courses in popular music and popular culture. So, yes, teaching is a pretty big part of my life as well as performing.

33. How do you balance your music with other obligations: mate, children, job?

I’m lucky to have a wife who plays piano and is very into music herself (classical mostly). We have a piano and violins at home and my two children are learning. My daughter (age 6) has performed in several community concerts and passed her Grade 2 conservatory exam in piano. So, you could say I am blessed to be a member of a musical household where we all support and encourage each other.


Pierre, Rich, Guy (thanks to Dan Geneau for the photo)

Pierre, Rich, Guy (thanks to Dan Geneau for the photo)

5IEME ANNIVERSAIRE DE MAISON DU BLUES

5IEME ANNIVERSAIRE DE MAISON DU BLUES

5th Anniversary

5th Anniversary

Acoustic Jam

Acoustic Jam

Derek Trucks - Jammin'

Hey,
We can all use some advice from time to time.
Here are some tips about jamming’ from Derek Trucks, of the Allman Brothers.
1. Just listen.
Make sure that when you're on stage with others, you are paying attention to what's going on and not getting self-involved in your own world.
2. Respect everyone else's musical space.
The easiest way to kill a vibe is by jumping in and adding your two cents too soon, while someone else is still trying to build something. Just let things happen.
3. Make you sure you are telling a story.
Never just be playing scales, filling space or going through the motions. Sometimes people resort to such tactics just to fill space but it's always a
mistake. Longer solos aren't always better solos. Always have something to say.
4. Try to play an emotion.
Always be aware of what emotion you want to convey and try to tap into it.
You can often hear what a great soloist is going through. It doesn't take words to express a thought; you can definitely spell out emotions musically
and should always strive to do so.
5. Never use the bandstand to practice.
Don't waste time working through things. It's great to take chances but not to try things you are completely unsure of. Save your practice time for off stage.
6. Treat the stage as your church.
Respect what you are doing. If you want people to respect what you're doing and think it means something, you have to act like it does. All great
artists treat the stage like it is sanctified.
7. Make sure your intentions are right.
Don't be up there to boost your ego or career. Mean what you're doing and appreciate it. You won't get anywhere musically if you are just on stage to
impress people.
8. Always make the band sound better.
Don't just highlight what you do; serve the group and the music. Playing rhythm behind someone or even sitting out at the right moment is just as
important as soloing. Some people sound great when they're doing their thing but just get in the way when they're not.
9. Educate with your music.
Always move forward and turn your audience on to new things instead of relying on the same old tricks. A core audience gets stuck listening to one group and think that's it, but you're around so much music and should always be inspired by new things. It's important to pass that along, and it keeps you out of ruts.
10. Make sure you mean what you're doing.
Do what you want and love. If you're playing with somebody, you might as well do it right. No matter what the gig, dig in and go to town.
Well, thanks Derek, and now to the important job of jammin’. See you Thursday.

The Cast

The Cast

Paul and jam band

Paul and jam band

Phil

Phil

Tino and Benny

Tino and Benny

History of the Blues

Jam - July 17, 2014

Jam - July 17, 2014
Gerry and Rich

Blues Extravaganza

Blues Extravaganza

Roger Guetta

Roger Guetta

Acoustic night

Acoustic night

10th year of blues at the Unik

10th year of blues at the Unik

Wednesday, July 21, 2010

Maison du Blues Profile Interview with Ken Cohen













Maison du Blues Profile Interview with Ken Cohen


1. What instrument(s) do you play?

vocals ... guitar ... harmonica

2. What equipment are you using? (ie guitars, bass, amps, harmonica, drums, sax etc.)

Guitars
Fender made of strat parts , Ibanez archtop , Guild Acoustic , Yamaha nylon string .. Hopf archtop

Amps Polytone mini brute Fender Acoustisonic Fender Pro Junoir

Harps .. marine band

Mics shure 55


3. Have you modified your set-up in any way to better suit your style of playing.

sometimes I plug the guitars into a marshall blues breaker pedal

4. Is there any instrument that you owned, but sold and now regret it?

73 fender telecaster 73 fender twin amp 86 squire strat

5. How did you first get interested in your instrument?

Friends


6. What are your influences in the blues?

no money no women no friends ...
my first influences were actually Paul Butterfield and James Cotton and the Rolling Stones

7. Are there any particular players on the world stage who have had an effect on your playing?

see question 6

8. Can you recommend any soundtrack/video/DVD of these players?

anything found on you tube especially spider and the fly by the Stones

9. How would you describe the type of sound you have or would like to achieve.

living room volume is the best I can describe it .
I've been playing alone for a long time ... mostly in apartments and never wanted to bother the neighbours


10. If money was no object, what equipment would you like to use at a medium sized gig? (50 seater)

no idea I dont have that kind of experience


11. What, in your view, makes a player special/unique (past or present)

Class and approachabilty ...

12. What are your favourite songs?

Spider and the fly - Stones
Blues in the night - my version hahaha
Most of the Jazz standards that suit me

13. How long have you been playing?

longer than I like to think



14. Are you presently in a group or working on any projects with other musicians? (name the other members if you like and what they play)

No .. I just started going to open blues jams over the past few months to do vocals only

15. Do you like working in the studio, prefer to go out and play, or both? (please elaborate if you can)

I have no studio experience .. so a live audience would get my vote


16. Are there any local musicians that you would recommend to go and see play who you like the most?

Everyone at the open blues jams

17. Which local musician(s) have had an effect on your own playing?

None yet

18. How did you first get involved with music? (ie. listened to a record, friend introduced you to an album, went to a club to see someone play)

all the above

19. Do you practice often (ie. learn new songs, go over the ones you know, or just fiddle around?

all the above

20.Share with us your ideal gig (ie. large or small venue, do you like to get there very early to set up, do you expect other band members to do the same, who does the sound or works the board. – anything at all about your approach to playing)

no experience with gigs really ...
but I am a firm believer that if there is a vocalist it should not be a strain for him/her to be heard

21. Is playing for you a job to be worked hard at, shear pleasure, or a mixture of both?

shear pleasure

22. What do you think of jam sessions? (please elaborate likes and dislikes)

I am in love with Jam sessions
It the only place for now that I get to practice my so called craft

23. Do you prefer to work out your music in advance, or do you like a certain amount of improvisation?

I think a good balance of both works


24. Have there been any experiences that made you nervous on stage?

Just the first time i went to an open jam after a 42 year lay off


25. Is it more nerve-wracking for you to play in front of friends, other musicians or a regular bar crowd?

Other musicians

26. What’s the best or worst gig you played?

Both would be when I was 16 so its not worth mentioning.
GHtta love high school peer pressure

27. Do you have any other anecdotes you could share with us? (pleasant or unpleasant)

Ok here goes
When I was growing up I stuttered every second word .
Cool when your a singer ..
I was 15 or 16 and sang with a group we were trying to start in high school
We got a gig up north in Morin Heights or Val Morin at a local church dance
The bass player’s father jammed his station wagon with all our equipment and drove us up there from Montreal.
We got lost and had to ask for directions .
I had the window seat so I rolled down the window and asked a passer-by for directions ..
Here is the conversation the best I can recall

exc-c-c-cuse m-m-m-me b-b-b-but c-c-c-could y-y-y-ou p-p-lease tell us how t-t-t-to g-g-g-et t-t-t-to the church ?

The guy looked in the back of the station wagon and saw all the equipment and asked if we were playing there and what instrument I played ...

I said Yes and I was the s-s-s-s-singer ...

I dont remember seeing him at the gig ... lolol

We opened with My G-g-g-generation ...



28. What advice would you give to an aspiring young player? ( ie. Technique, style, equipment etc.- any mistakes to avoid?)

Play what you love ... use what you can afford and learn from your mistakes


29. What’s your next project/gig/musical experience? (give place and dates if you like)

I go to most of the Blues Jam nights in the city

30. Thanks Ken.