Maison du Blues: Jules Cacchione Profile

Jean-marc Interview - thanks to Leslie

1. Name, place of birth, where living now?

I was born in Montréal (Outremont Stuart & Van Horne) Now I live in Laval

2. When and how did you first get involved with music?

I have enjoyed music for as long as I remember. I listened to my parents’ jazz album, a mix of swing tunes over and over - fascinated by the drums

3. Which instruments do you play?

Mainly drums and guitar and lately harmonicas (a work in progress)

4. Describe your first instrument.

My father gave me a guitar for Xmas when I was twelve. It was right handed one. I’m a lefty - the teacher didn’t believe in left-handed people so that was the end of that.

5. How did you get interested in these instruments?

At the age of 14 my dad bought me my first drum kit - no cymbals. At school a friend sold me a high hat and a very low-end ride. That was enough to get me started.

6. Is your family musical?

Only listeners. My mother listened to Gilbert Bécaud, Dean Martin... My sister was more into rock n roll. Mostly they would listen to the radio and Ed Sullivan on TV.

7. What are your fondest musical memories?

In 1967 my parents took me to the universal expo at Ile Ste-Hélêne at the Bavarian beer garden and I played a song on the drums with the band - never having played on a drum set before.

8. What was the first tune you learned?

“If I Had a Hammer”.

9. Who was your first teacher?

When I was twelve I joined a group of youngsters called L'Harmonie de Terrebonne and played the snare drum. The teacher was Mr. Jean-Paul Cadieux, who taught all instruments (horns and percussion). At school I got some lessons from guys who played in a band.

10. What are your influences in the Blues?

The shuffle is my favourite of all rhythms.

11. Which famous musicians do you admire and why?

Anybody who will go to any length to learn how to play.

12. Are there local musicians that you like, that you would recommend to go and see play?

Lately I've been enjoying jam nights around town - very friendly people. Turn off that TV or PC and get out there - it's live 'n' kickin’ out there...haha !!!

13. What makes a player unique?

Listening to many different styles and being able learn and play back that stuff - even if it's hard.

14. Which famous musicians have you learned from?

The very first album I listened to was Buddy Rich – also Gene Krupa playing Bernie's tune.

15. Do you have a favourite song, record or CD that has influenced you?

I listen to so much stuff...okay - John Bonham - ''Moby Dick''.

Thanks Jean-Marc.

It was a pleasure.

Pete Webb interview - thanks to Leslie

1. Name, place of birth, where living now:

Pete Webb, born in Sherbrooke, QC; currently living in Sherbrooke, QC

2. When and how did you first get involved in music?

I started playing guitar in my teens after my parents bought me an acoustic guitar for Christmas. When we moved to Stratford, Ontario in the 1980s, I had been playing about a year when a couple of kids I met in a music store asked me to play rhythm guitar in their heavy metal band. I wasn’t very good and they kicked me out after a couple of months, but it got me started.

3. What instruments do you play?

Guitar and a bit of bass and harmonica. I’m also a lead singer.

4. Describe your first instrument. Other instruments.

I’m primarily an electric guitarist, rock and blues; mainly self-taught. I’ve sung for a long time and had formal vocal training in the early 1990s. Bass and harmonica are just instruments I’ve picked up along the way.

5. How did you get interested in these instruments?

My parents were from England and brought all the original Beatles albums with them to Canada. I grew up hearing these and pretty much idolized the Beatles, especially George Harrison. My Dad had a friend, Dave Gordon, who played guitar and loved Eric Clapton. When I was twelve, Dave gave me a few guitar lessons and took me to one of his band rehearsals at the hotel in Waterville, Quebec. Seeing a band play live for the first time got me hooked.

6. Is your family musical?

My immediate family was not musical in the sense of being musicans. But they were all huge music listeners.

7. Family members’ musical interests….

My Mum loved The Beatles, Jose Feliciano, and Glen Campbell. My Dad liked a lot of jazz and R&B, including Dave Brubeck, Isaac Hayes and Dionne Warwick. My three older sisters were into seventies rock such as Led Zeppelin, The Eagles, and Rod Stewart. The whole family also listened to classical music. So there was a lot of music around the house.

8. What are your fondest musical memories?

My parents playing records at home when I was a kid, on our quadraphonic home stereo that was state of the art at the time.

A later experience: In the early-1990s, I spent several months living and playing in Germany. On a short tour of the former East Germany, I was booked to play in a large church in a small town called Plau-am-Sea. This was very soon after the fall of the Iron Curtain and well outside the cultural centre of Berlin. There was a good deal of anticipation of having a “Western” musican come to play in Plau. The church was packed that night. It was just me and an acoustic guitar and a small P.A. After my regular set of original songs, the audience wanted more. So, starting with Elvis and Buddy Holly and moving my way forward, I played the people of Plau the history of rock ‘n roll – the first time most of these East Germans would have ever heard such a thing performed live.

9. First tune learned.

I don’t remember the actual first tune, but within my first six months or so of playing I learned things like “Hotel California” and “Smoke on the Water.”

10. Who was your first teacher? Any other teachers?

Mr. Lacroix, at the Honolulu music store in Sherbrooke, gave me several lessons, but I quit before long and was mostly self-taught after that. Much later, in Ontario, I did take voice lessons with a former professional opera singer for two years.

11. What are your influences in the blues?

My favourite blues songs are probably those of Robert Johnson. From a guitarist’s point of view, Robben Ford, Duane Allman, and Rory Gallagher are among my favourites. Among vocalists, Sam Cooke, Marvin Gaye, and Van Morrison are tops.

12. Which famous musicians do you admire and why?

Robben Ford: Consummate musicianship, yet his music is always accessible and in spite of amazing guitar chops he always puts the song first/ rarely overplays. Plus, he seems like a modest and down to earth person in interviews.

Stevie Wonder: Probably the world’s greatest living all-around talent. Blind since birth, he became one of the world’s greatest singers, songwriters, and multi-instrumentalists. A true genius in my opinion.

Paul McCartney: He could have rested on his laurels decades ago and remained a legend – yet he keeps on touring and making new music, and always seems to play with enjoyment and integrity. He keeps aging but never seems “old” – and as I age myself, I find that inspiring.

13. Local musicans I like and would recommend…

Paul Arthur immediately springs to mind. I’ve known Paul about three years, have played with him on several occasions. He seems to epitomize the blues, and younger players can learn a lot from watching his commitment to the music and performing.

Ria Reece, Blues Z, Louis Janelle, George Papafylis – other local musicians people should go and see.

14. What makes a player unique?

Not worrying too much about current trends, but sticking to what feels natural. Not overtly copying other artists – turning musical tips into your own bag of tricks. Paying attention to groove and melody, not just showing off fast chops or technique for its own sake.

15. Which famous musicians have you learned from?

Warren Haynes: He has a book + CD course on slide guitar that taught me a lot about slide guitar technique.

BB King: I’ve spent many hours working through BB solos note for note, learning how economy of playing style can benefit one much more than pure speed or showing off.

16. Favourite songs, records, etc…

Among blues albums, some favourites are:

- Albert King, Born Under a Bad Sign

- Skip James, Devil Got My Woman

- Robert Johnson, King of the Delta Blues Singers

- Robben Ford, Bringing It Back Home

- Muddy Waters, Hard Again

- Allman Brothers, Live at Fillmore East

17. How would you describe the type of sound you have or would like to achieve?

I try to play fairly clean and economically, without a lot of effects pedals and so on. I’m not a flashy, over-the-top type of player. I try to play what is best for the song. I have a few guitars (Fenders, a Gibson, a Guild, etc.) that help me achieve different tones without any fancy tricks. I guess one trademark is I play a fair amount of slide guitar – so that’s one sound particular to my style.

18. Competitions and prizes.

I avoid competitions of any kind. I dislike being “competitive” in music.

19. What groups have you played with/ do you play with?

I currently play in several different bands: I’m the singer-guitarist in two blues bands, the Pete Webb Trio (based in Montreal) and the Sherby Blues Project (based in Sherbrooke). I’m the lead guitarist in an original rock band called The Fleming Sweep, based in Sherbrooke. I do a fair amount of “on call” stuff, where I play shows with anyone who needs a guitarist or singer on fairly short notice. Styles range from blues to rock to country, and I can play guitar, bass, and sing – so I’m pretty versatile.

20. Do you prefer the studio or live?

I used to do a lot of studio work back in the 1990s. I was even trained as a recording engineer at college back in the late 80s. But I much prefer the live experience to working in the studio.

21. What is your ideal gig (large or small venue)?

I’ve only played on really large stages a few times, and generally didn’t like it. I much prefer a mid-sized club with a receptive audience who is there to hear the music. Some of the best shows I’ve played over the past few years have been organized concerts in club venues for audiences of around 60-100 people, where the audience is attuned to the type of show and prepared to enjoy themselves.

22. Do you get nervous before a show?

Very rarely, actually. I’m a teacher in my daytime profession and have performed music for around 30 years, so being in front of an audience is pretty natural for me.

23. Is it more nerve-wracking to play in front of friends, other musicans, or a regular crowd?

As above, “nerve-wracking” is not something I experience very often. I’ve only had negative experiences when the gig involves playing for people who don’t care about the music – like at a couple of corporate events I’ve done in the last few months.

24. How do you handle mistakes in a performance?

Mistakes happen in nearly every performance. The main trick is not to react physically – most of the audience won’t notice. If it’s really noticeable, laugh it off or joke about it. Everyone’s human and none of this stuff is life or death.

25. How often and how long do you practice?

During “at home” time, it is probably an average of two hours per day. Although because of the number of projects I’m in, I’m at 3-hour band practices two or three nights a week.

26. What do you practice?

I mostly just practice songs and work out different ideas for soloing. From time to time, I’ll learn a particular solo or series of licks from a recording… something that pushes me to the limits of my ability so that I learn something new. I practice scales and finger exercises sometimes to keep my improvisational skills up to par.

27. Is playing a job, sheer pleasure, or both?

Sheer pleasure.

28. What is your next project?

I’d like to start a rhythm and blues band to play classic Motown/ Soul/ R&B. I love that type of music but have only dabbled in it over the years. I know a few musicians I may call upon to get such a project going.

29. What do you think of jam sessions, and how often do you attend them?

In general, jams are a great way to meet new musicians and make friends. A lot of my current musical activities and connections stem from people I met at jams. Because I’m quite busy gigging and keeping up a full-time teaching career, I rarely attend jams unless I am hired to host. Though I do enjoy it when I get the chance.

30. What makes a good jam session? Likes or dislikes?

If people listen to each other, play to the song instead of their ego, and don’t show off or try to upstage others, it’s a good jam. Unfortunately, many times people don’t adhere to these simple principles. There are regular jams I avoid/ have avoided in the past, simply because I can’t stand the attitudes to be found there.

31. What advice would you give to an aspiring player?

Don’t be a musical snob. Listen to all styles and types of artists and learn what you can from each of them. Don’t obsess over gear/ not owning the “right” guitar or amp, etc. Don’t let your ego get the better of you. Be gracious and personable: if people don’t like you they won’t want to work with you. At the same time, you are not obligated to take crap from anyone. Stand up for yourself if the going gets rough.

32. Do you teach or have ever taught music?

I’m a college and university professor by profession. I’ve taught several courses in popular music and popular culture. So, yes, teaching is a pretty big part of my life as well as performing.

33. How do you balance your music with other obligations: mate, children, job?

I’m lucky to have a wife who plays piano and is very into music herself (classical mostly). We have a piano and violins at home and my two children are learning. My daughter (age 6) has performed in several community concerts and passed her Grade 2 conservatory exam in piano. So, you could say I am blessed to be a member of a musical household where we all support and encourage each other.

Derek Trucks - Jammin'

Hey,
We can all use some advice from time to time.
Here are some tips about jamming’ from Derek Trucks, of the Allman Brothers.
1. Just listen.
Make sure that when you're on stage with others, you are paying attention to what's going on and not getting self-involved in your own world.
2. Respect everyone else's musical space.
The easiest way to kill a vibe is by jumping in and adding your two cents too soon, while someone else is still trying to build something. Just let things happen.
3. Make you sure you are telling a story.
Never just be playing scales, filling space or going through the motions. Sometimes people resort to such tactics just to fill space but it's always a
mistake. Longer solos aren't always better solos. Always have something to say.
4. Try to play an emotion.
Always be aware of what emotion you want to convey and try to tap into it.
You can often hear what a great soloist is going through. It doesn't take words to express a thought; you can definitely spell out emotions musically
and should always strive to do so.
5. Never use the bandstand to practice.
Don't waste time working through things. It's great to take chances but not to try things you are completely unsure of. Save your practice time for off stage.
6. Treat the stage as your church.
Respect what you are doing. If you want people to respect what you're doing and think it means something, you have to act like it does. All great
artists treat the stage like it is sanctified.
7. Make sure your intentions are right.
Don't be up there to boost your ego or career. Mean what you're doing and appreciate it. You won't get anywhere musically if you are just on stage to
impress people.
8. Always make the band sound better.
Don't just highlight what you do; serve the group and the music. Playing rhythm behind someone or even sitting out at the right moment is just as
important as soloing. Some people sound great when they're doing their thing but just get in the way when they're not.
9. Educate with your music.
Always move forward and turn your audience on to new things instead of relying on the same old tricks. A core audience gets stuck listening to one group and think that's it, but you're around so much music and should always be inspired by new things. It's important to pass that along, and it keeps you out of ruts.
10. Make sure you mean what you're doing.
Do what you want and love. If you're playing with somebody, you might as well do it right. No matter what the gig, dig in and go to town.
Well, thanks Derek, and now to the important job of jammin’. See you Thursday.

Wednesday, July 21, 2010

Jules Cacchione Profile

Profile Interview with Jules Cacchione

1. What instrument(s) do you
play? drums

2. What equipment are you
using? (ie guitars, bass, amps, harmonica, drums, sax etc.)
sonor 10 and 14" maple toms, 20" birch bass drum, and 13" dixon maple snare. 14" zyldjian hihats, 18 paiste crash, and 20"sabian ride

3. Have you modified your
set-up in any way to better suit your style of playing.
I play fairly simply, and I like a small kit that's easy to transport and set up, and fits on small stages.
4. Is there any instrument
that you owned, but sold and now regret it?
I've bought and sold a lot of drums, but I'm glad that I didn't sell my first real kit of sonor's that I bought in 1973.
5. How did you first get
intested in your instrument?
I played the snare drum in my junior high band.

6. What are your influences
in the blues?
I was first exposed to the blues by hearing blues covers by the Beatles, Stones, Jimi Hendrix, Cream, Zeppelin, Allman Brothers.
7. Are there any particular
players on the world stage who have had an effect on your playing?
I loved Buddy Rich and he was one of my first major influences. I am also inspired by many other drummers, including Billy Cobham, Steve Gadd, Chad Smith, Neil Peart, and Vinny Coluaita. And I can't forget Ringo Starr, Charlie Watts, John Bonham, Keith Moon, Stewart Copeland. So many good drummers.
8. Can you recommend any
soundtrack/video/DVD of these players?
Just about everything by these guys is good as far as I'm concerned.

9. How would you describe the
type of sound you have or would like to achieve.
I'm pretty much an accompaniment drummer, and I just want my sound to fit the music.
10. If money was no object,
what equipment would you like to use at a medium sized gig? (50 seater)
I wouldn't change too much. A small 4 piece kit with 3 cymbals and hihats mic'd would be fine

11. What, in your view, makes
a player special/unique (past or present)
ability to groove, tasteful fills, decent chops.
12. What are your favourite
songs?
Aja by Steely Dan, Dear Prudence by the Beatles, Stormy Monday by the Allman Brothers, Scatterbrain by Jeff Beck, just to name a few.
13. How long have you been
playing?
Off and on for over 35 years.
14. Are you presently in a
group or working on any projects with other musicians? (name the other members
if you like and what they play)
I'm presently in a 4 piece band called Band on the Run with Phil Andrews on lead vocals and sax, Warren Grossman on guitar, and Lud Pasquale on bass. I also drum with Michael Mansour, and occasionally sub with Blues Side Up and The Devil Dawgs.
15. Do you like working in
the studio, prefer to go out and play, or both? (please elaborate if you can)
I haven't really had the chance to do studio work. I enjoy playing live, especially outdoor shows.

16. Are there any local
musicians that you would recommend to go and see play who you like the most?
Montreal has many excellent musicians. I always enjoyed seeing Jimmy James and his band with Dave Devine on drums. I must admit, however, that I don't go out to see live bands that often.
17. Which local musician(s)
have had an effect on your own playing?
Dave Divine inspires me.
18. How did you first get
involved with music? (ie. listened to a record, friend introduced you to an
album, went to a club to see someone play)
There was always music playing in our house when I was growing up. I remember listening to alot of my sister's Beatles collection.
19. Do you practice often
(ie. learn new songs, go over the ones you know, or just fiddle around?
I try to spend atleast one hour every few days on my practice pad. I listen to alot of different music. and then there are the band rehearsals. I'm a relatively lazy guy and I don't practice as much as I should
20.Share with us your ideal
gig (ie. large or small venue, do you like to get there very early to set up,
do you expect other band members to do the same, who does the sound or works
the board. – anything at all about your approach to playing)
I love outdoor shows, whether big or small. I like to get there early enough to set up and loosen up. I usually leave the sound up to someone else who has more expertise than I.
21. Is playing for you a job to be worked hard at, shear
pleasure, or a mixture of both?
It's a bit of both. While I enjoy playing, you need to work at it so that you can groove and be able to express your ideas on your instrument. It takes time and practice.
22. What do you think of jam
sessions? (please elaborate likes and dislikes)
I've been to some great jams, and I've been to some stinkers. Good jams have talented, grooving, unselfish musicians who are listening closely and don't let their egos get in the way. Jams are also a great place to meet musicians, and are an excellent place to play to an audience, especially for someone just starting out, or someone who just plays occasionally.
23. Do you prefer to work out
your music in advance, or do you like a certain amount of improvisation?

I like a little of both.
24. Have there been any
experiences that made you nervous on stage?
Sometimes, for no particular reason, I feel tense on stage, and I hate this feeling. Usually this feeling goes away after a few songs or the first set. I guess it's just nerves. Nevertheless, it's very irritating.

25. Is it more nerve-wracking
for you to play in front of friends, other musicians or a regular bar crowd?
Sometimes I find it's more nerve-wracking playing for friends. I guess I try too hard when they're there.
26. What’s the best or worst
gig you played?
I played the Canada Day gig in Morin Heights a few years ago that was alot of fun.
27. Do you have any other
anecdotes you could share with us. (pleasant or unpleasant)
About 30 years ago in a hotel bar in Kirkland Lake, Ontario, I vomited on stage during our rendition of "Babe", by Styxx. I had food poisoning, and I thought that night I was going to die. It was probably the longest night of my life. The poison was coming out of both ends. But incredibly enough, I was back on stage the next night. Perhaps I was a little queesy, but the show must go on.
28. What advice would you
give to an aspiring young player? ( ie. Technique, style, equipment etc.- any
mistakes to avoid?)
Take some lessons, practice alot, listen to all types of music, study videos and watch drummers live, go to jams, develop good listening skills, learn to groove and be in the pocket, and most importantly, have fun.

29. What’s your next
project/gig/musical experience? (give place and dates if you like)

Band on the Run at House of Blues Unik, June 19, 8th July, 5th August and 21st August 2010.

Maison du Blues

Jam resumes in 2022 on Friday nights from 8:00pm - 12:00am.

Ken Cohen RIP

Miche Love

Sonny Wolf

Sean 'Cat' Elliott Band

Lil' Bubba

Eric and Denys

JGBP

duelling harmonicas

Derek Falls

Pat

Steve grooving

Lil' Bubba, Steve, Pierre

Derek and jammers

L'il Bubba and Pierre

Hugo

Darcy

Pierre and Guy

Robert

Magic Dan

Deacon George

Guy

John

Nick Rahal

Sonny and Drey

Lewis

Denis and Drey

happy bassman

Pat with jam band

Leslie and friends - thanks to Leslie our official photographer

Kenny Dupree

JGBP

Rich

Phil

Andre

Derek

Gerry

Lil' Bubba

Pierre and John

Ross

Rich

Pierre and Steve

Jo Hell

Victor bar man

Jo Hell

Paul Arthur and Rich James

Pat and Texas Two

In memory of George Groove, one of our best loved friends and performers.

Drey

Duelling harmonicas

Paul

Lowdown Lewis

Pat and the Texas Two

Lil' Bubba

STATS - STATS - STATS ! ! !

enjoying the jam

Pat le Bassman

John and George Groove

Pierre the "boss man"

Happy jammers

Phil

Pete

Drey in to it !!

Derek Falls

Sonny Wolf

Robert

George and Drey

Robert

Leo

Gerry

Hugo

Guy "bass cat"

Pierre

John Gordon Blues Project

Jules

jam band

Dance workout 1 (thanks to Dan Geneau for photo)

Dance workout 2 (thanks to Dan Geneau for photo)

Phil